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Remove "Material Icons" font file, mistakenly added.
See D15627 for details
Differential Revision: https://developer.blender.org/D15627
Reviewed by Brecht Van Lommel
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Replace our existing two fonts with a stack of new fonts to increase
and improve language coverage and to add many new symbols and icons.
Covers glyphs of top 44 languages - 1.5 billion more potential users.
See D10887 for lots of details.
Differential Revision: https://developer.blender.org/D10887
Reviewed by Brecht Van Lommel
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This reverts commit d61ab45385eba116dbfcbf6c5ccfb997be7e324f.
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Credits: Piotr Krynski
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openSubdiv_init() would detect available evaluators before any OpenGL context
exists, causing a crash with libepoxy. This test however is redundant as we
already check the requirements on the Blender side through the GPU API.
To simplify things, completely remove the device detection in the opensubdiv
module and reduce the evaluators to just CPU and GPU. The plan here is to move
to the GPU module abstraction over OpenGL/Metal/Vulkan and so all these
different backends no longer make sense.
This also removes the user preference for OpenSubdiv compute device, which was
not used for the new GPU subdivision implementation.
Ref D15291
Differential Revision: https://developer.blender.org/D15470
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The scene spacing code was failing to
check if a raycast failed, which can happen
when sculpting the edges of objects in negative
mode.
Note I removed what I suspect was a hack put
in to fix this, spacing was clamped
to 0.001 scene units.
Scene spacing mode is actually quite broken,
so it will be fixed in a series of phases.
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Adds a better name that describes when it is used.
The GPU_SHADER_BUILDER is a buildtime tool for developers
to pre-validate GLSL (and in the overseen future pre-compile to
SpirV). We don't see that this needs to become a required
step in the future so WITH_GPU_BUILDTIME_SHADER_BUILDER
is more descriptive name.
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The objects making up each icon are placed in a group named after the icon
coordinates in the grid. This change has no impact on the current pipeline used
to include icons in a Blender build, but lays the foundation to explore other
workflows to do that, and tidies up the file.
Differential Revision: https://developer.blender.org/D15251
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By now I'm not aware of any serious regressions or missing functionality
in the C++ based OBJ importer/exporter. They have more features (vertex colors
support), and are way faster than the Python based importer/exporter.
Reviewed By: Thomas Dinges, Howard Trickey
Differential Revision: https://developer.blender.org/D15360
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This commit adds a new face nearest snapping mode, adds new snapping
options, and (lightly) refactors code around snapping.
The new face nearest snapping mode will snap transformed geometry to the
nearest surface in world space. In contrast, the original face snapping
mode uses projection (raycasting) to snap source to target geometry.
Face snapping therefore only works with what is visible, while nearest
face snapping can snap geometry to occluded parts of the scene. This new
mode is critical for retopology work, where some of the target mesh
might be occluded (ex: sliding an edge loop that wraps around the
backside of target mesh).
The nearest face snapping mode has two options: "Snap to Same Target"
and "Face Nearest Steps". When the Snap to Same Object option is
enabled, the selected source geometry will stay near the target that it
is nearest before editing started, which prevents the source geometry
from snapping to other targets. The Face Nearest Steps divides the
overall transformation for each vertex into n smaller transformations,
then applies those n transformations with surface snapping interlacing
each step. This steps option handles transformations that cross U-shaped
targets better.
The new snapping options allow the artist to better control which target
objects (objects to which the edited geometry is snapped) are considered
when snapping. In particular, the only option for filtering target
objects was a "Project onto Self", which allowed the currently edited
mesh to be considered as a target. Now, the artist can choose any
combination of the following to be considered as a target: the active
object, any edited object that isn't active (see note below), any non-
edited object. Additionally, the artist has another snapping option to
exclude objects that are not selectable as potential targets.
The Snapping Options dropdown has been lightly reorganized to allow for
the additional options.
Included in this patch:
- Snap target selection is more controllable for artist with additional
snapping options.
- Renamed a few of the snap-related functions to better reflect what
they actually do now. For example, `applySnapping` implies that this
handles the snapping, while `applyProject` implies something entirely
different is done there. However, better names would be
`applySnappingAsGroup` and `applySnappingIndividual`, respectively,
where `applySnappingIndividual` previously only does Face snapping.
- Added an initial coordinate parameter to snapping functions so that
the nearest target before transforming can be determined(for "Snap to
Same Object"), and so the transformation can be broken into smaller
steps (for "Face Nearest Steps").
- Separated the BVH Tree getter code from mesh/edit mesh to its own
function to reduce code duplication.
- Added icon for nearest face snapping.
- The original "Project onto Self" was actually not correct! This option
should be called "Project onto Active" instead, but that only matters
when editing multiple meshes at the same time. This patch makes this
change in the UI.
Reviewed By: Campbell Barton, Germano Cavalcante
Differential Revision: https://developer.blender.org/D14591
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Also remove some unnecessary logic and change a variable name.
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Part of T98560.
See https://wiki.blender.org/wiki/Source/Interface/Views
Adds all the basic functionality needed for grid views. They display
items in a grid of rows and columns, typically with a preview image and
a label underneath. Think of the main region in the Asset Browser.
Current features:
- Active item
- Notifier listening (also added this to the tree view)
- Performance: Skip adding buttons that are not scrolled into view
(solves performance problems for big asset libraries, for example).
- Custom item size
- Preview items (items that draw a preview with a label underneath)
- Margins between items scale so the entire region width is filled with
column, rather than leaving a big empty block at the right if there's
not enough space for another column (like the File and current Asset
Browser does it).
- "Data-View Item" theme colors. Not shown in the UI yet.
No user visible changes expected since the grid views aren't used for
anything yet.
This was developed as part of a rewrite of the Asset Browser UI
(`asset-browser-grid-view` branch), see T95653. There's no reason to
keep this part in a branch, continuing development in master makes
things easier.
Grid and tree views have a lot of very similar code, so I'm planning to
unify them to a degree. I kept things separate for the start to first
find out how much and what exactly makes sense to override.
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I'm using the tool icons for the brush themselves.
Note: This includes a few brushes that are only defined in D15134.
Those are simply the icons rendered with a world background of #282828.
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Those tools will get renamed to follow the standard we have
for the other tools (i.e., add sculpt_ in their name).
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More information in the svn log. But basically the smooth brush
is re-using the previous one we had for hair, and the density is
representing the hair root points that are removed to reach the
desired density.
Those brushes are used by D15134.
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A typical use case is when you want to render with the Filmic view transform, but
composite an existing image in the background that should not be affected by the
view transform.
With this colorspace it's possible to do an inverse Filmic transform, render
everything in scene linear space, and then apply the Filmic transform again.
This is pretty basic in that this is not going to take into account the full view
transform including looks, curves and exposure. But it can be helpful anyway.
Ref T68926
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It can be assumed that all scripts comply with basic pep8 formatting
regarding white-space, indentation etc.
Also remove note in best practices page & update `tests/python/pep8.py`.
If we want to exclude some scripts from make format,
this can be done by adding them to `ignore_files` in:
source/tools/utils_maintenance/autopep8_format_paths.py
Or using `# nopep8` for to ignore for individual lines.
Ref T98554
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Removed OPTYPE_UNDO flags from the swap brush colors and
sample color operators. These types of operators are
not supposed to be undoable in the first place. Also
memfile undo is too buggy for it.
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I'm not sure what is causing this. Vertex normals get corrupted
for paint and mask sculpt brushes but not the normal geometric
ones. Since we don't actually need to recalculate normals
here to begin with I've just disabled it. The code now
calls the appropriate node mark update function based on
the sculpt tool.
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There should be no visible change. The difference is mostly on how we
changed the rounding to handle the conversion from color space to the
new linear space of the attribute colors.
To convert the materials in icon_geom.blend I used:
```
import bpy
from mathutils import Color
def convert_material(material):
if not material.use_nodes:
return
if not material.node_tree:
return
node_tree = material.node_tree
for node in node_tree.nodes:
if node.type != 'RGB':
continue
color_original = node.outputs[0].default_value
color_new = Color(color_original[:3]).from_srgb_to_scene_linear()
color = (*color_new, color_original[3])
node.outputs[0].default_value = color
def main():
for material in bpy.data.materials:
convert_material(material)
main()
```
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This allows for the new tool icons to use geometry nodes.
In order to do this I also had to use the new API for accessing the
attributes (instead of vertex colors). Which in turn requires a few
changes to use linear color space.
I went ahead and updated the entire code to use the linear space
everywhere. I will update the icon files manually to make sure the final
result is similar to what we have now.
Note: We now use round instead of int. That plus the changes regarding the
color space will lead to some icons to change slightly (no perceived
visual change).
Differential Revision: https://developer.blender.org/D14988
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This icon was using a material with a slightly different shade of
purple. I removed all the duplicated materials in icons_geom.blend
and this was the only "functional" change (though it is not noticeable).
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Also fixed an unreported issue of incorrect interpolation of thickness.
Reviewed By: Aleš Jelovčan (frogstomp), Antonio Vazquez (antoniov)
Differential Revision: https://developer.blender.org/D15005
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Also fixed an unreported issue of incorrect interpolation of thickness.
Reviewed By: Aleš Jelovčan (frogstomp), Antonio Vazquez (antoniov)
Differential Revision: https://developer.blender.org/D15005
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This icon will be used by the curves paint select brush.
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Update the trim icons so they don't show a dashed line. Instead they
have now a continuous red line.
This is important because the sculpting tools are planning to use the
same icons for selection as the regular tools. And those icons use
dashed line to represent selection.
Note the icon file has two new icons which are not used at the moment
(they are in the Unused collection):
* ops.generic.select_paint
* ops.generic.select_line
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Geometry Nodes (new) icon. So far we were using the generic node-tree
icon for geometry nodes, not anymore.
The new icon is composed of 4 spheres that is a reference to the
original pebbles demo. Scattering points was also the turning point for
the project (which originally was focusing on dynamic effects), and to
this day is one of the first steps for everything procedural such as
hair.
Note that the modifier icon is still showing as white in the outliner.
The alternative is to be blue everywhere.
Patch review and feedback by Hans Goudey.
Icon creation in collaboration with Pablo Vazquez.
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The hue color filter now wraps correctly. Fixes T97768.
Reviewed By: Julien Kaspar & Joseph Eagar
Differential Revision: https://developer.blender.org/D14887
Ref D14887
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This reverts commit d1cbfc81bb900c82098a7a5076890fd200069cae.
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Credits: Oksana Dobrovolska
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by showing redo panel.
The A hotkey has "auto iteration" enabled by default,
which calculates the number of times to run the filter
using a heuristic based on vertex count.
To make clear to the user what is going on the redo
panel is now shown for the mask filter operator.
NOTE: I discovered the source of the bug where sculpt
operators' redo panels were greyed out. The name
fed to SCULPT_undo_push_begin must match the operator
name. I've added a comment in sculpt_intern explaining
this.
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Apply standard green tool color to vertex paint tools, to keep icon
color palette more consistent
https://developer.blender.org/D14694
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These are only needed for the legacy GPU renderer, which we don't use.
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For more easily reading and writing ACEScg EXR files.
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- Verrtex paint mode has been refactored into C++ templates.
It now works with both byte and float colors and point
& corner attribute domains.
- There is a new API for mixing colors (also based
on C++ templates). Unlike the existing APIs byte
and float colors are interpolated identically.
Interpolation does happen in a squared rgb space,
this may be changed in the future.
- Vertex paint now uses the sculpt undo system.
Reviewed By: Brecht Van Lommel.
Differential Revision: https://developer.blender.org/D14179
Ref D14179
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Bonus: Added docs for `--debug-ghost`.
Differential Revision: https://developer.blender.org/D14610
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little outline around the color, like the other scraping tools T97271
Also, as a suggestion, this patch changes Mask By Color and Color Filter to be the same shade of green as paint and smear tool icons
{F12998856}
{F12998857}
{F12998858}
Reviewed By: Julian Kaspar & Joseph Eagar
Differential Revision: https://developer.blender.org/D14632
Ref D14632
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There are no real difference from the previous icons, but since some
manual changes were introduced in the icons file, we still needed
a final sync between them.
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The new tab in the properties panel for "Color Attributes" shows the
data type and domain, just like the Attributes tab.
The issue is that the UI does not scale well and can only display the
full names when dragged to an extreme width.
This is due to the inclusion of the render icon in between the
attribute name and attribute type description.
This patch changes the order that items are displayed in the Color
Attributes Panel. Moving the render icon to the very right.
The result is consistent with other parts of the Blender UI and does
not take as much space to display the full text.
Reviewed By: @jbakker
Differential Revision: https://developer.blender.org/D14567
Ref D14567
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