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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Brice Waegeneire <brice.wge@gmail.com>
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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For the blue and violet noise, I took the pink and brown noise
respectively and subtracted the offsets instead of adding them. When I
eyeball the frequency spectrum of the resulting outputs it looks correct
to me, i.e. the blue graph appears to be a mirror image of the pink, and
the same can be said of the violet and the brown. I did not do anything
else to confirm the correctness.
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This one changes the previous vmaf patch to libvmaf to keep it separate from the
native implementation of vmaf inside ffmpeg later.
Signed-off-by: Ashish Singh <ashk43712@gmail.com>
Signed-off-by: Ronald S. Bultje <rsbultje@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Its been deprecated for over 3 years.
Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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According to libavfilter/scale.c, if the width and height are both
less than or equal to 0 then the input size is used for both
dimensions. It does not need to be -1. -1:-1 is the same as 0:0 which
is the same as -10:-42, etc.
if (w < 0 && h < 0)
eval_w = eval_h = 0;
The documentation for the zscale filter has also been updated since the
behavior is identical.
Signed-off-by: Kevin Mark <kmark937@gmail.com>
Signed-off-by: Ronald S. Bultje <rsbultje@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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(cherry picked from commit 66aa9b94dae217a0fc5acfb704490707629d95ed)
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Vittorio Giovara <vittorio.giovara@gmail.com>
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channel layout
Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Variables pertaining to the main video are now available when
using the scale2ref filter. This allows, as an example, scaling a
video with another as a reference point while maintaining the
original aspect ratio of the primary/non-reference video.
Consider the following graph: scale2ref=iw/6:-1 [main][ref]
This will scale [main] to 1/6 the width of [ref] while maintaining
the aspect ratio. This works well when the AR of [ref] is equal to
the AR of [main] only. What the above filter really does is
maintain the AR of [ref] when scaling [main]. So in all non-same-AR
situations [main] will appear stretched or compressed to conform to
the same AR of the reference video. Without doing this calculation
externally there is no way to scale in reference to another input
while maintaining AR in libavfilter.
To make this possible, we introduce eight new constants to be used
in the w and h expressions only in the scale2ref filter:
* main_w/main_h: width/height of the main input video
* main_a: aspect ratio of the main input video
* main_sar: sample aspect ratio of the main input video
* main_dar: display aspect ratio of the main input video
* main_hsub/main_vsub: horiz/vert chroma subsample vals of main
* mdar: a shorthand alias of main_dar
Of course, not all of these constants are needed for maintaining the
AR, but adding additional constants in line of what is available for
in/out allows for other scaling possibilities I have not imagined.
So to now scale a video to 1/6 the size of another video using the
width and maintaining its own aspect ratio you can do this:
scale2ref=iw/6:ow/mdar [main][ref]
This is ideal for picture-in-picture configurations where you could
have a square or 4:3 video overlaid on a corner of a larger 16:9
feed all while keeping the scaled video in the corner at its correct
aspect ratio and always the same size relative to the larger video.
I've tried to re-use as much code as possible. I could not find a way
to avoid duplication of the var_names array. It must now be kept in
sync with the other (the normal one and the scale2ref one) for
everything to work which does not seem ideal. For every new variable
introduced/removed into/from the normal scale filter one must be
added/removed to/from the scale2ref version. Suggestions on how to
avoid var_names duplication are welcome.
var_values has been increased to always be large enough for the
additional scale2ref variables. I do not forsee this being a problem
as the names variable will always be the correct size. From my
understanding of av_expr_parse_and_eval it will stop processing
variables when it runs out of names even though there may be
additional (potentially uninitialized) entries in the values array.
The ideal solution here would be using a variable-length array but
that is unsupported in C90.
This patch does not remove any functionality and is strictly a
feature patch. There are no API changes. Behavior does not change for
any previously valid inputs.
The applicable documentation has also been updated.
Signed-off-by: Kevin Mark <kmark937@gmail.com>
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Kevin Mark <kmark937@gmail.com>
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
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This avoids producing out of range or clipped samples.
Signed-off-by: Paul B Mahol <onemda@gmail.com>
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See http://lists.ffmpeg.org/pipermail/ffmpeg-user/2017-April/035975.html
Parsed_filter_X could remain and user can override it with custom one.
Example:
ffplay -f lavfi "nullsrc=s=640x360,
sendcmd='1 drawtext@top reinit text=Hello; 2 drawtext@bottom reinit text=World',
drawtext@top=x=16:y=16:fontsize=20:fontcolor=Red:text='',
drawtext@bottom=x=16:y=340:fontsize=16:fontcolor=Blue:text=''"
Reviewed-by: Paul B Mahol <onemda@gmail.com>
Signed-off-by: Muhammad Faiz <mfcc64@gmail.com>
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Default settings have it too low.
Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Reviewed-by: Paul B Mahol <onemda@gmail.com>
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Rename previous parade mode to stack, what it really was from start.
Signed-off-by: Paul B Mahol <onemda@gmail.com>
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This complex (-1 2 6 2 -1) filter slightly less reduces interlace 'twitter' but better retain detail and subjective sharpness impression compared to the linear (1 2 1) filter.
Signed-off-by: Thomas Mundt <tmundt75@gmail.com>
Signed-off-by: James Almer <jamrial@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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Signed-off-by: Lou Logan <lou@lrcd.com>
Signed-off-by: Paul B Mahol <onemda@gmail.com> (in #ffmpeg-devel IRC)
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Signed-off-by: Paul B Mahol <onemda@gmail.com>
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